PERFORMING ARTS -- Film & Video | Reference
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PERFORMING ARTS -- Film & Video | Reference
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- "Baad bitches" and sassy supermamas : Black power action films
- 21st century Hollywood : movies in the era of transformation
- A cinema of contradiction : Spanish film in the 1960s
- A history of horror
- Action! : interviews with directors from classical Hollywood to contemporary Iran
- Adapted for the screen : the cultural politics of modern Chinese fiction and film
- Afghanistan in the cinema
- African film and literature : adapting violence to the screen
- African filmmaking : North and South of the Sahara
- Afterimage : film, trauma, and the Holocaust
- Alien identities : exploring differences in film and fiction
- Alien identities : exploring differences in film and fiction
- American cinema in the shadow of 9/11
- American cinema of the 1910s : themes and variations
- American cinema of the 1920s : themes and variations
- American cinema of the 1930s : themes and variations
- American cinema of the 1960s : themes and variations
- American cinema of the 1990s : themes and variations
- American cinema, 1890-1909 : themes and variations
- American independent cinema. Rites of passage and the crisis image
- American politics in Hollywood film
- American postfeminist cinema : women, romance and contemporary culture
- Animation and America
- Armed forces : masculinity and sexuality in the American war film
- Art in Cinema : documents toward a history of the film society
- Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties
- Bad women : regulating sexuality in early American cinema
- Best years : going to the movies, 1945-1946
- Beyond the subtitle : remapping European art cinema
- Black & white & noir : America's pulp modernism
- Black and white cinema : a short history
- Black city cinema : African American urban experiences in film
- Blockbuster history in the new Russia : movies, memory, and patriotism
- Body shots : early cinema's incarnations
- Bombay cinema : an archive of the city
- Brazilian Road Movie : Journeys of (Self) Discovery
- Brazilian women's filmmaking : from dictatorship to democracy
- Breaking the fourth wall : direct address in the cinema
- British film directors : a critical guide
- Brutal vision : the neorealist body in postwar Italian cinema
- Canadian film and video : a bibliography and guide to the literature = Film et vidéo canadiens : bibliographie analytique sur le cinéma et la vidéo
- Cartographic cinema
- Celluloid comrades : representations of male homosexuality in contemporary Chinese cinemas
- Chinese ecocinema : in the age of environmental challenge
- Chinese martial arts cinema : the Wuxia tradition
- Cinema 16 : documents toward a history of the film society
- Cinema Today : a Conversation with Thirty-nine Filmmakers from around the World
- Cinema and Fascism : Italian Film and Society, 1922-1943
- Cinema and experience : Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
- Cinema and sensation : French film and the art of transgression
- Cinema, emergence, and the films of Satyajit Ray
- Cinemas in transition in Central and Eastern Europe after 1989
- Cinematic flashes : cinephilia and classical Hollywood
- Cinematic identity : anatomy of a problem film
- Cinematic journeys : film and movement
- City that never sleeps : New York and the filmic imagination
- Classics in film and fiction
- Comedy and cultural critique in American film
- Composers in the movies : studies in musical biography
- Concentrationary cinema : aesthetics as political resistance in Alain Resnais's Night and fog (1955)
- Consuming visions : cinema, writing, and modernity in Rio de Janeiro
- Contemporary British horror cinema : industry, genre and society
- Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation
- Contemporary Japanese cinema since Hana-bi
- Contemporary Spanish gothic
- Contemporary action cinema
- Couching resistance : women, film, and psychoanalytic psychiatry
- Counter-archive : film, the everyday, and Albert Kahn's Archives de la Plan{garve}ete
- Cowboys as cold warriors : the Western and U.S. history
- Cuban cinema
- Cultures of vision : images, media, and the imaginary
- Dance and the Hollywood Latina : Race, Sex and Stardom
- Dante, cinema, and television
- Deleuze, altered states and film
- Destination London : German-speaking emigrés and British cinema, 1925-1950
- Deterritorializing the new German cinema
- Digital imaging in popular cinema
- Directing
- Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language
- Divas on screen : Black women in American film
- Dream factories of a former colony : American fantasies, Philippine cinema
- Driven to darkness : Jewish émigré directors and the rise of film noir
- Eclipsed cinema : the film culture of colonial Korea
- Envisioning Asia : on location, travel, and the cinematic geography of U.S. orientalism
- Euro horror : classic European horror cinema in contemporary American culture
- European cinemas in the television age
- Ex-cinema : from a theory of experimental film and video
- Existentialism and contemporary cinema : a Sartrean perspective
- Exporting perilous pauline : Pearl White and serial film craze
- Extreme Asia : the rise of cult cinema from the Far East
- Far-flung families in film : the diasporic family in contemporary European cinema
- Fast-talking dames
- Feminist film theory : a reader
- Fight Pictures : a History of Boxing and Early Cinema
- Film festivals : culture, people, and power on the global screen
- Film hieroglyphs : ruptures in classical cinema
- Film noir
- Film noir and the cinema of paranoia
- Film remakes
- Film theory : creating a cinematic grammar
- Film, mobility and urban space : a cinematic geography of Liverpool
- Films on ice : cinemas of the Arctic
- First person Jewish
- Framing Blackness : the African American image in film
- Framing pictures : film and the visual arts
- Framing the world : explorations in ecocriticism and film
- Frankenstein
- French cinema : a critical filmography, Volume 1, 1929-1939
- French cinema : a critical filmography, Volume 2, 1940-1958
- French queer cinema
- From light to byte : toward an ethics of digital cinema
- From my cold, dead hands : Charlton Heston and American politics
- Gender meets genre in postwar cinemas
- Gendering the nation : Canadian women's cinema
- George Cukor : Hollywood master
- George Gallup in Hollywood
- Ghostlife of third cinema : Asian American film and video
- Global Bollywood : travels of Hindi song and dance
- Global Nollywood : the transnational dimensions of an African video film industry
- Go west, young women! : the rise of early Hollywood
- Grindhouse nostalgia : memory, home video and exploitation film fandom
- H.G. Wells, modernity and the movies
- Hearst over Hollywood : power, passion, and propaganda in the movies
- Heritage film audiences : period films and contemporary audiences in the UK
- Heroes in hard times : cop action movies in the U.S
- Hitchcock's Magic
- Hollywood Asian : Philip Ahn and the politics of cross-ethnic performance
- Hollywood Be Thy Name : African American Religion in American Film, 1929-1949
- Hollywood and the Great Depression : American film, politics and society in the 1930s
- Hollywood in the neighborhood : historical case studies of local moviegoing
- Hollywood quarterly : film culture in postwar America, 1945-1957
- Hollywood science : movies, science, and the end of the world
- Hollywood's African American films : the transition to sound
- Hollywood's Cold War
- Hollywood's Indian : the Portrayal of the Native American in Film
- Hollywood's Italian American filmmakers : Capra, Scorsese, Savoca, Coppola, and Tarantino
- Hollywood's West : the American frontier in film, television, and history
- Hollywood's White House : the American presidency in film and history
- Hollywood's censor : Joseph I. Breen & the Production Code Administration
- Hollywood's war with Poland, 1939-1945
- Home in Hollywood : the imaginary geography of cinema
- Hong Kong connections : transnational imagination in action cinema
- Hong Kong screenscapes : from the new wave to the digital frontier
- Horror to the extreme : changing boundaries in Asian cinema
- Humphrey Jennings
- Impossible puzzle films : a cognitive approach to contemporary complex cinema
- In the national interest : a chronicle of the National Film Board of Canada from 1949 to 1989
- Independent Chinese documentary : alternative visions, alternative publics
- Indian Accents : Brown Voice and Racial Performance in American Television and Film
- International noir
- Into the vortex : female voice and paradox in film
- Inventing Vietnam : the war in film and television
- Invisible Storytellers : Voice-Over Narration in American Fiction Film
- Irving Thalberg : Boy Wonder to Producer Prince
- Island on the edge : Taiwan new cinema and after
- Italian and Irish filmmakers in America : Ford, Capra, Coppola, and Scorsese
- Italian neorealist cinema
- Italian post-neorealist cinema
- Jane Austen in Hollywood
- Journalism in the movies
- Journalists in film : heroes and villains
- Killer tapes and shattered screens : video spectatorship from VHS to file sharing
- Killing the Indian maiden : images of Native American women in film
- Knock me up, knock me down : images of pregnancy in Hollywood films
- Korean horror cinema
- Lady Chatterley's Legacy in the Movies : Sex, Brains and Body Guys
- Land of Smoke and Mirrors : a Cultural History of Los Angeles
- Landscapes of Loss : the National Past in Postwar French Cinema
- Latin American melodrama : passion, pathos, and entertainment
- Literary adaptations in Spanish cinema
- Literature, cinema and politics, 1930-1945 : reading between the frames
- Love rules : silent Hollywood and the rise of the managerial class
- Male trouble
- Mapping the moving image : gesture, thought and cinema circa 1900
- Masculine interests : homoerotics in Hollywood films
- Masculinities and Hong Kong cinema
- Masculinity and Italian cinema : sexual politics, social conflict and male crisis in the 1970s
- Masters of two arts : re-creation of European literatures in Italian cinema
- Maximum movies--pulp fictions : film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
- Melancholy drift : marking time in Chinese cinema
- Memory and the moving image : French film in the digital era
- Men in African film & fiction
- Mex-Cine : Mexican filmmaking, production, and consumption in the twenty-first century
- Michael Mann : cinema and television : interviews, 1980-2012
- Michelangelo Red Antonioni Blue : Eight Reflections on Cinema
- Migrating to the movies : cinema and Black urban modernity
- Mining the Home Movie : Excavations in Histories and Memories
- More than Night : Film Noir in Its Contexts
- Myth of the Western : new perspectives on Hollywood's frontier narrative
- Narrative mortality : death, closure, and new wave cinemas
- Native Americans on film : conversations, teaching, and theory
- Navajo talking picture : cinema on native ground
- New Austrian film
- Nippon modern : Japanese cinema of the 1920s and 1930s
- No place like home : locations of Heimat in German cinema
- Noir urbanisms : dystopic images of the modern city
- Nordic exposures : Scandinavian identities in classical Hollywood cinema
- Nordic genre film : small nation film cultures in the global marketplace
- Off to the pictures : cinema-going, women's writing and movie culture in interwar Britain
- On location in Cuba : street filmaking [sic] during times of transition
- One world, big screen : Hollywood, the Allies, and World War II
- Out of Time : Desire in Atemporal Cinema
- Palestinian cinema : landscape, trauma and memory
- Playing to the world's biggest audience : the globalization of Chinese film and TV
- Polish film and the Holocaust : politics and memory
- Political film : the dialectics of third cinema
- Politics and Performance in Post-Dictatorship Argentine
- Post-1990 documentary : reconfiguring independence
- Post-classical Hollywood : film industry, style and ideology since 1945
- Post-westerns : cinema, region, West
- Precocious Charms : Stars Performing Girlhood in Classical Hollywood Cinema
- Projecting a nation : Chinese national cinema before 1949
- Raoul Walsh : the true adventures of Hollywood's legendary director
- Re-viewing fascism : Italian cinema, 1922-1943
- ReFocus, The films of Budd Boetticher
- Reconstructing American historical cinema : from Cimarron to Citizen Kane
- Reel nature : America's romance with wildlife on film
- Reinventing cinema : movies in the age of media convergence
- Remade in Hollywood : the global Chinese presence in transnational cinemas
- Remaking Chinese cinema : through the prism of Shanghai, Hong Kong, and Hollywood
- Retrovision : reinventing the past in film and fiction
- Revisiting star studies : cultures, themes and methods
- Ride, Boldly Ride : the Evolution of the American Western
- Romantics and modernists in British cinema
- Royal portraits in Hollywood : filming the lives of queens
- Rubble films : German cinema in the shadow of the Third Reich
- Sapphism on screen : lesbian desire in French and Francophone cinema
- Scenes of instruction : the beginnings of the U.S. study of film
- Scotland : global cinema : genres, modes and identities
- Screening Cuba : film criticism as political performance during the Cold War
- Screening gender, framing genre : Canadian literature into film
- Screening integration : recasting Maghrebi immigration in contemporary France
- Screening nostalgia : populuxe props and technicolor aesthetics in contemporary American film
- Screening the east : Heimat, memory and nostalgia in German film since 1989
- Screening torture : media representations of state terror and political domination
- Screening war : perspectives on German suffering
- Screens and veils : Maghrebi women's cinema
- Selected film essays and interviews
- Shadows on the past : studies in the historical fiction film
- Shadows, specters, shards : making history in avant-garde film
- Siegfried Kracauer's American writings : essays on film and popular culture
- Siren City : Sound and Source Music in Classic American Noir
- Skyscraper cinema : architecture and gender in American film
- So close to the State/s : the emergence of Canadian feature film policy
- Sound technology and the American cinema : perception, representation, modernity
- Southeast Asian independent cinema : essays, documents, interviews
- Spanish horror film
- Spanish queer cinema
- Special affects : cinema, animation and the translation of consumer culture
- Special effects : still in search of wonder
- Stalinist cinema and the production of history : museum of the revolution
- Street with no name : a history of the classic American film noir
- Sundance to Sarajevo : film festivals and the world they made
- Sync : stylistics of hieroglyphic time
- Take one's Essential guide to Canadian film
- Taking place : location and the moving image
- Temporality and film analysis
- The 'war on terror' and American film : 9/11 frames per second
- The B word : bisexuality in contemporary film and television
- The British New Wave : a certain tendency?
- The Chinese diaspora on American screens : race, sex, and cinema
- The Cinematic Footprint : Lights, Camera, Natural Resources
- The Devil You Dance With : Film Culture in the New South Africa
- The FIAF moving image cataloguing manual
- The French road movie : space, mobility, identity
- The Invisible Hand in Popular Culture : Liberty vs. Authority in American Film and TV
- The Liverpool companion to world science fiction film
- The Makers of American Wine : a Record of Two Hundred Years
- The New Jew in Film : Exploring Jewishness and Judaism in Contemporary Cinema
- The Pusan International Film Festival, South Korean cinema, and globalization
- The Rise of Spanish-Language Filmmaking : Out from Hollywood's Shadow, 1929-1939
- The Shocking Miss Pilgrim : a Writer in Early Hollywood
- The animated bestiary : animals, cartoons, and culture
- The animated man : a life of Walt Disney
- The attractive empire : transnational film culture in Imperial Japan
- The battle for the Bs : 1950s Hollywood and the rebirth of low-budget cinema
- The battle of Britain on screen : 'The Few' in British film and television drama
- The besieged ego : doppelgangers and split identity onscreen
- The cinema dreams its rivals : media fantasy films from radio to the Internet
- The cinema of Takeshi Kitano : flowering blood
- The cinema of Theo Angelopoulos
- The cinema of small nations
- The colonial documentary film in South and South-East Asia
- The dame in the kimono : Hollywood, censorship, and the production code
- The ethnic eye : Latino media arts
- The eyes have it : cinema and the reality effect
- The feel-bad film
- The films of Elías Querejeta : a producer of landscapes
- The future of an illusion : film, feminism, and psychoanalysis
- The garden in the machine : a field guide to independent films about place
- The girl from God's country : Nell Shipman and the silent cinema
- The girls in the back room : looking at the lesbian bar
- The hidden foundation : cinema and the question of class
- The horror film
- The horse who drank the sky : film experience beyond narrative and theory
- The immigrant scene : ethnic amusements in New York, 1880-1920
- The international film musical
- The living and the undead : slaying vampires, exterminating zombies
- The new German cinema : music, history, and the matter of style
- The new Neapolitan cinema
- The new extremism in cinema : from France to Europe
- The phantom Holocaust : Soviet cinema and Jewish catastrophe
- The philosophy of film noir
- The philosophy of neo-noir
- The philosophy of science fiction film
- The reluctant film art of Woody Allen
- The return of the epic film : genre, aesthetics and history in the twenty-first century
- The rise and fall of the UK Film Council
- The thrill makers : celebrity, masculinity, and stunt performance
- The unmaking of fascist aesthetics
- The way Hollywood tells it : story and style in modern movies
- The wounds of nations : Horror cinema, historical trauma and national identity
- Theaters of occupation : Hollywood and the reeducation of postwar Germany
- Thomas Ince : Hollywood's independent pioneer
- Through amateur eyes : film and photography in Nazi Germany
- Time frames : Japanese cinema and the unfolding of history
- Traditions in world cinema
- Transnational Chinese cinemas : identity, nationhood, gender
- Transnational film remakes
- Trash : African cinema from below
- Trauma and cinema : cross-cultural explorations
- Trauma culture : the politics of terror and loss in media and literature
- Troubled everyday : the aesthetics of violence and the everyday in European art cinema
- Turkish German cinema in the new millennium : sites, sounds, and screens
- US independent film after 1989 : possible films
- Uncanny bodies : the coming of sound film and the origins of the horror genre
- Understanding film : Marxist perspectives
- Veiled desires : intimate portrayals of nuns in postwar Anglo-American film
- Victorian vogue : British novels on screen
- Visible nations : Latin American cinema and video
- Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
- Visions of a new land : Soviet film from the Revolution to the Second World War
- Visions of paradise : images of Eden in the cinema
- Visions of the maid : Joan of Arc in American film and culture
- Washed in Blood : Male Sacrifice, Trauma, and the Cinema
- Watching wildlife
- We'll always have the movies : American cinema during World War II
- White Gypsies : race and stardom in Spanish musicals
- Whose lives are they anyway? : the biopic as contemporary film genre
- Why we fought : America's wars in film and history
- Women of vision : histories in feminist film and video
- Women through the lens : gender and nation in a century of Chinese cinema
- Working on screen : representations of the working class in Canadian cinema
- Young rebels in contemporary Chinese cinema
- Zimbabwe's cinematic arts : language, power, identity
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