The wanderer in nineteeth-century [sic] German literature : intellectual history and cultural criticism
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The work The wanderer in nineteeth-century [sic] German literature : intellectual history and cultural criticism represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The wanderer in nineteeth-century [sic] German literature : intellectual history and cultural criticism
Resource Information
The work The wanderer in nineteeth-century [sic] German literature : intellectual history and cultural criticism represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The wanderer in nineteeth-century [sic] German literature : intellectual history and cultural criticism
- Title remainder
- intellectual history and cultural criticism
- Statement of responsibility
- Andrew Cusack
- Title variation
-
- Wanderer in nineteenth-century German literature
- Wanderer in 19th-century German literature
- Subject
-
- Criticism, interpretation, etc
- Deutsch
- Duits
- Electronic books
- German literature
- German literature -- 19th century -- History and criticism
- LITERARY CRITICISM -- European | German
- Literaire thema's
- Literary criticism
- Literary criticism
- Literatur
- Nomads in literature
- Nomads in literature
- Wanderer
- Zwervers
- 1800-1899
- Bellettrie
- Language
- eng
- Summary
- "The wanderer is an indispensable part of the German cultural imaginary. The nineteenth-century prominence of the motif owes much to the self-conception of the intellectual pioneers of the day as wanderers. The motif is also a key to interpretation of the social and cultural phenomena of a turbulent century that began with the emancipatory claims of the Enlightenment and ended in untrammeled industrialism. Writers from Goethe to Büchner, Fontane to Holtei were keenly aware of the motif's interpretive value, attempting to grasp with it not only such developments as mass migration and disappearing institutions but also unprecedented opportunities for artistic and scientific innovation. This book re-interprets canonical works such as Goethe's Wilhelm Meister novels, Heine's Harzreise, and Büchner's Lenz, examines underresearched works by Fontane and Raabe, and charts new territory with readings of works by Gotthelf and Holtei -- a selection of texts that reveals the vast scope and changing function of the wanderer motif. Andrew Cusack pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism. Andrew Cusack is a Lecturer in the Department of Germanic Studies at Trinity College Dublin."--
- Assigning source
- Provided by publisher
- Cataloging source
- N$T
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Studies in German literature, linguistics, and culture
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