Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Resource Information
The instance Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards represents a material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Instance, Electronic.
The Resource
Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
Resource Information
The instance Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards represents a material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Instance, Electronic.
- Label
- Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
- Title remainder
- ritual performance in the African diaspora
- Statement of responsibility
- edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Tejumola Olaniyan
- What the twilight says : an overture
- Derek Walcott
- Caribbean narrative : carnival characters--in life and in the mind
- Gus Edwards
- Rebaptizing the world in our own terms : Black theatre and live arts in Britain
- Michael McMillan
- and
- SuAndi
- pt. 2. Mythology and metaphysics.
- Praise/word
- The fourth stage : through the mysteries of Ogun to the origin of Yoruba tragedy
- Wole Soyinka
- The Candomblʹe and Eshu-Eleggua in Brazilian and Cuban Yoruba-based ritual /
- Marta Moreno Vega
- Legba and the politics of metaphysics : the trickster in Black drama
- Femi Euba
- Art for life's sake : rituals and rights of self and other in the theatre of Aimʹe Cʹesaire
- Keith L. Walker
- Sycorax mythology
- May Joseph
- Paul Carter Harrison
- Conjuring as radical re/membering in the works of Shay Youngblood
- Joni L. Jones
- Archetype and masking in LeRoi Jones/Amiri Baraka's Dutchman
- Victor Leo Walker II
- pt. 3. Dramaturgical practice.
- The dramaturg's way : meditations on the cartographer at the crossroads
- Deborah Wood Holton
- Introduction to Moon marked and touched by sun
- Sydnʹe Mahone
- Kennedy's travelers in the American and African continuum
- pt. 1. African roots.
- Paul K. Bryant-Jackson
- Mojo and the sayso : a drama of Nommo that asks, "Is your mojo working?"
- Andrea J. Nouryeh
- Ritual poetics and rites of passage in Ntozake Shange's for colored girls who have considered suicide/when the rainbow is enuf
- Jean Young
- pt. 4. Performance.
- Form and transformation : immanence of the soul in the performance modes of Black church and Black music
- Paul Carter Harrison
- The sense of self in ritualizing new performance spaces for survival
- Beverly J. Robinson
- Roots in African drama and theatre
- Barbara Ann Teer : from holistic training to liberating rituals
- Lundeana M. Thomas
- Bopera theory
- Amiri Baraka
- From hip-hop to Hittite : part X
- Keith Antar Mason
- Members and lames : language in the plays of August Wilson
- William W. Cook
- Porque tu no m'entrende? Whatcha mean you can't understand me?
- Ntozake Shange
- J.C. de Graft
- Performance method
- George C. Wolfe
- Afterword : testimony of a witness
- Eleanor W. Traylor
- The African heritage of African American art and performance
- Babatunde Lawal
- Agones : the constitution of a practice
- Control code
- ocn320548527
- Dimensions
- unknown
- Extent
- 1 online resource (ix, 418 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781282047228
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Note
- JSTOR
- http://library.link/vocab/ext/overdrive/overdriveId
-
- 22573/ctt1442hz2
- d3223b77-ec8a-40b7-a320-650a492baadc
- Quality assurance targets
- not applicable
- Record ID
- .b46693580
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)320548527
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/NTv_Sf1P3ik/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/NTv_Sf1P3ik/">Black theatre : ritual performance in the African diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, Gus Edwards</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
