Whose culture? : the promise of museums and the debate over antiquities
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The work Whose culture? : the promise of museums and the debate over antiquities represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Whose culture? : the promise of museums and the debate over antiquities
Resource Information
The work Whose culture? : the promise of museums and the debate over antiquities represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Whose culture? : the promise of museums and the debate over antiquities
- Title remainder
- the promise of museums and the debate over antiquities
- Statement of responsibility
- edited by James Cuno
- Subject
-
- ART -- Art & Politics
- Antiquities -- Collection and preservation | Moral and ethical aspects
- Antiquities -- Collection and preservation | Moral and ethical aspects
- Antiquities -- Collection and preservation | Social aspects
- BUSINESS & ECONOMICS -- Museum Administration & Museology
- Cultural property -- Protection
- Cultural property -- Protection
- Cultural property -- Repatriation
- Cultural property -- Repatriation
- Electronic books
- Excavations (Archaeology) -- Moral and ethical aspects
- Museum exhibits -- Moral and ethical aspects
- Museum exhibits -- Moral and ethical aspects
- Museums -- Acquisitions | Moral and ethical aspects
- Museums -- Philosophy
- Museums -- Philosophy
- REFERENCE -- General
- TRAVEL -- Museums, Tours, Points of Interest
- Language
- eng
- Summary
- The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restric
- Cataloging source
- E7B
- Illustrations
- illustrations
- Index
- index present
- Language note
- English
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
Context
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/PwVzblwj5MQ/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/PwVzblwj5MQ/">Whose culture? : the promise of museums and the debate over antiquities</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>