PERFORMING ARTS -- Theater | General
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The concept PERFORMING ARTS -- Theater | General represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
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PERFORMING ARTS -- Theater | General
Resource Information
The concept PERFORMING ARTS -- Theater | General represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
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115 Items that share the Concept PERFORMING ARTS -- Theater | General
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- "Something on my own" : Gertrude Berg and American broadcasting, 1929-1956
- A history of the American theatre from its origins to 1832
- A sociosemiotic theory of theatre
- Acting in real time
- Actors, audiences, and historic theaters of Kentucky
- Acts : theater, philosophy, and the performing self
- Acts of Gaiety : LGBT Performance and the Politics of Pleasure
- After live : possibility, potentiality, and the future of performance
- American vaudeville as ritual
- Ancient scripts & modern experience on the English stage, 1500-1700
- As if : an autobiography, Volume I
- Between actor and critic : selected letters of Edwin Booth and William Winter
- Black theatre : ritual performance in the African diaspora
- Blue-collar Broadway : the craft and industry of American theater
- Brecht and East Asian theatre : the proceedings of a conference on Brecht in East Asian theatre
- Cafe Society : the wrong place for the right people
- Choreography and the specific image : nineteen essays and a workbook
- Collective creation in contemporary performance
- Communities of imagination : contemporary Southeast Asian theatres
- Culture is the body : the theatre writings of Tadashi Suzuki
- Dance and the body politic in northern Greece
- Dance and the specific image : improvisation
- Dancing identity : metaphysics in motion
- Dancing into darkness : Butoh, Zen, and Japan
- Dark matter : invisibility in drama, theater, and performance
- David Belasco : naturalism in the American theatre
- Discipline and desire : surveillance technologies in performance
- Dramatic character in the English Romantic age
- Embodying Black experience : stillness, critical memory, and the Black body
- Framed : women in law and film
- Fred Astaire
- Gilbert and Sullivan : gender, genre, parody
- Grand opera : the story of the Met
- Great directors at work : Stanislavsky, Brecht, Kazan, Brook
- Henslowe's Rose : the stage & staging
- In search of Korean traditional opera : discourses of chÊ»anggÅk
- International women stage directors
- Ira Aldridge
- Irish theater in America : essays on Irish theatrical diaspora
- Latina performance : traversing the stage
- Learning to kneel : noh, modernism, and journeys in teaching
- Like a bomb going off : Leonid Yakobson and ballet as resistance in Soviet Russia
- Lives in play : autobiography and biography on the feminist stage
- Marlowe, Shakespeare, and the economy of theatrical experience
- Media & performance
- Memories of the revolution : the first ten years of the WOW Cafe Theater
- Messiahs of 1933 : how American Yiddish theatre survived adversity through satire
- Millennial stages : essays and reviews, 2001-2005
- Modern drama and the rhetoric of theater
- More than a monologue : sexual diversity and the catholic church, Volume 1, Voices of Our Times
- Moving performances : divas, iconicity, and remembering the modern stage
- Ngũgĩ wa Thiongʼo & Wole Soyinka
- O let us howle some heavy note : music for witches, the melancholic, and the mad on the seventeenth-century English stage
- Oklahoma! : the making of an American musical
- Onnagata : a labyrinth of gendering in kabuki theater
- Penumbra : the premier stage for African American drama
- Performing democracy in Iraq and South Africa : gender, media, and resistance
- Pierrots on the stage of desire : nineteenth-century French literary artists and the comic pantomime
- Places for happiness : community, self, and performance in the Philippines
- Playing God : the Bible on the Broadway stage
- Political acts : women in Northern Irish theatre, 1921-2012
- Politicizing creative economy : activism and a hunger called theater
- Popular theater and society in Tsarist Russia
- Prodigal son : dancing for Balanchine in a world of pain and magic
- Re-imagining Greek tragedy on the American stage
- Reckoning with spirit in the paradigm of performance
- Regional theatre : the revolutionary stage
- Research methods in theatre and performance
- Researching dance : evolving modes of inquiry
- Rival queens : actresses, performance, and the eighteenth-century British theater
- Sarah Bernhardt : the art within the legend
- Seeing Sarah Bernhardt : performance and silent film
- Shakespeare in & out of Africa
- Shashibiya : staging Shakespeare in China
- Shattering Hamlet's mirror : theatre and reality
- Sites of performance : of time and memory
- South African performance and archives of memory
- Stage for Action : U.S. social activist theatre in the 1940s
- Stage money : the business of the professional theater
- Stagestruck : the business of theater in eighteenth-century France and its colonies
- Staging the Revolution : drama, reinvention and history, 1647-72
- Swans of the Kremlin : ballet and power in Soviet Russia
- The Columbia anthology of modern Chinese drama
- The Great White Way : race and the Broadway musical
- The Irish play on the New York stage, 1874-1966
- The Pekin : the rise and fall of Chicago's first black-owned theater
- The best pairt of our play : essays presented to John J. McGavin, Part one
- The book of the play : playwrights, stationers, and readers in early modern England
- The creative process of els joglars and teatro de la abadia : beyond the playwright
- The drama of the American short story, 1800-1865
- The federal theatre, 1935-1939 : plays, relief, and politics
- The feminist spectator in action : feminist criticism for the stage and screen
- The idea of a theater : a study of ten plays : the art of drama in changing perspective
- The idea of the actor : drama and the ethics of performance
- The intimate act of choreography
- The moment of movement : dance improvisation
- The musical as drama : a study of the principles and conventions behind musical shows from Kern to Sondheim
- The penitent : a play
- The philosophy of Clint Eastwood
- The privileged playgoers of Shakespeare's London, 1576-1642
- The profession of player in Shakespeare's time, 1590-1642
- The six questions : acting technique for dance performance
- The soul of Beijing opera : theatrical creativity and continuity in the changing world
- The theater is in the street : politics and performance in sixties America
- The theatre in early Kentucky, 1790-1820
- The travels of Benjamin Zuskin
- The urban plays of the early Abbey theatre : beyond O'Casey
- The voyage of contemporary Japanese theatre
- Thomas Sheridan of Smock-Alley : recording his life as actor and theater manager in both Dublin and London, and including a Smock-Alley calendar for the years of his management
- Trauma-tragedy : symptoms of contemporary performance
- Treading the bawds : Actresses and playwrights on the Late Stuart stage
- Trickster theatre : the poetics of freedom in urban Africa
- West African popular theatre
- Ysgrifau ar Theatr a Pherfformio
- Ziegfeld and his follies : a biography of Broadway's greatest producer
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/XPu3LluKOgg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/XPu3LluKOgg/">PERFORMING ARTS -- Theater | General</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
