Curatorial activism : towards an ethics of curating
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The work Curatorial activism : towards an ethics of curating represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Curatorial activism : towards an ethics of curating
Resource Information
The work Curatorial activism : towards an ethics of curating represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Curatorial activism : towards an ethics of curating
- Title remainder
- towards an ethics of curating
- Statement of responsibility
- Maura Reilly ; foreword by Lucy R. Lippard
- Subject
-
- Art -- Exhibitions -- Social aspects
- Art and Design
- Art and Design
- Art and society
- Art and society
- Art museum curators
- Art museum curators
- Art museum curators -- Political activity
- Art museums -- Curatorship
- Art museums -- Curatorship
- Artists and art museum curators
- ART -- General
- Diskriminierung
- Geschlechterforschung
- Heimatmuseum
- Museumskunde
- Politische Bewegung
- Race discrimination
- Rassismus
- Sex discrimination against women
- Sexismus
- Ausstellung
- Art -- Exhibitions -- Philosophy
- Language
- eng
- Summary
- Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's 'Women Artists' at LACMA in the mid-1970s to Jean-Hubert Martin's 'Carambolages' in 2016 at the Grand Palais in Paris. Including interviews with pioneering curators such as Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin, and Nan Goldin, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators
- Cataloging source
- YDX
- Illustrations
- illustrations
- Index
- index present
- LC call number
- N72.S6
- LC item number
- R44 2018
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://bibfra.me/vocab/relation/writerofforeword
- 9uTZELIxoNQ
Context
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