Motion pictures -- Social aspects
Resource Information
The concept Motion pictures -- Social aspects represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
The Resource
Motion pictures -- Social aspects
Resource Information
The concept Motion pictures -- Social aspects represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
- Label
- Motion pictures -- Social aspects
- Authority link
- http://id.worldcat.org/fast/01027384
- Source
- fast
91 Items that share the Concept Motion pictures -- Social aspects
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- Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film
- Aesthetics and politics in the Mexican film industry
- African filmmaking : five formations
- Afterlives of confinement : spatial transitions in postdictatorship Latin America
- Americanizing the movies and "movie-mad" audiences, 1910-1914
- Black male frames : African Americans in a century of Hollywood cinema, 1903-2003
- Blackout : reinventing women for wartime British cinema
- Bollywood and postmodernism : popular Indian cinema in the 21st Century
- Branded entertainment and cinema : the marketisation of Italian film
- British genres : cinema and society, 1930-1960
- Buffoon men : classic Hollywood comedians and queered masculinity
- Cinema and Fascism : Italian Film and Society, 1922-1943
- Cinema, nation, and empire in Uzbekistan, 1919-1937
- Cinemas and cinemagoing in wartime Britain, 1939-45 : the utility dream palace
- Cinematic countrysides
- Cinematic sociology : social life in film
- Cinematicity in media history
- Circuits of culture : media, politics, and indigenous identity in the Andes
- Clint Eastwood : a cultural production
- Cold War cosmopolitanism : period style in 1950s Korean cinema
- Continuity and crisis in German cinema, 1928-1936
- Cosmopolitan film cultures in Latin America, 1896-1960
- Critical mass : social documentary in France from the silent era to the new wave
- Cuban cinema
- Demographic angst : cultural narratives and American films of the 1950s
- Desintegración y justicia en el cine argentino contemporáneo
- Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language
- Early Puerto Rican cinema and nation building : national sentiments, transnational realities, 1897-1940
- Early cinema in Scotland
- Enduring images : a future history of new left cinema
- Enduring images : a future history of new left cinema
- Exhibiting the German past : museums, film, and musealization
- Feminism without women : culture and criticism in a postfeminist age
- Fictions Inc. : the corporation in postmodern fiction, film, and popular culture
- Film and the American moral vision of nature : Theodore Roosevelt to Walt Disney
- Finding women in the state : a socialist feminist revolution in the People's Republic of China, 1949-1964
- Framing the world : explorations in ecocriticism and film
- Hollywood and the culture elite : How the movies became American
- Hollywood's Hawaii : race, nation, and war
- Hollywood's last golden age : politics, society, and the seventies film in America
- Homo Cinematicus : Science, Motion Pictures, and the Making of Modern Germany
- Identity, place, and subversion in contemporary Mizrahi cinema in Israel
- Illusive utopia : theater, film, and everyday performance in North Korea
- It's only a movie! : films and critics in American culture
- Japanese cinema goes global : filmworkers' journeys
- Kristeva in focus : from theory to film analysis
- Landscapes of Loss : the National Past in Postwar French Cinema
- Late Westerns : the persistence of a genre
- Locating the moving image : new approaches to film and place
- Marxism and film activism : screening alternative worlds
- Masculinity and Italian cinema : sexual politics, social conflict and male crisis in the 1970s
- Memory, subjectivity and independent Chinese cinema
- Memory, subjectivity and independent Chinese cinema
- Mexico on Main Street : transnational film culture in Los Angeles before World War II
- Moving figures : class and feeling in the films of Jia Zhangke
- New African cinema
- New Chinese cinema : challenging representations
- Out of Sync & Out of Work : History and the Obsolescence of Labor in Contemporary Culture
- Peripheral visions/global sounds
- Picture perfect : life in the age of the photo op
- Poland daily : economy, work, consumption and social class in Polish cinema
- Postcolonial Artists and Global Aesthetics
- Reframing culture : the case of the Vitagraph quality films
- Reframing the Subject : Postwar Instructional Film and Class-Conscious Literacies
- Richard Wagner, Fritz Lang, and the Nibelungen : the dramaturgy of disavowal
- STUDIES IN POPULAR CULTURE MUP : heroes and happy endings
- Sapphism on screen : lesbian desire in French and Francophone cinema
- Screen culture and the social question, 1880-1914
- Screening enlightenment : Hollywood and the cultural reconstruction of defeated Japan
- Screening the east : Heimat, memory and nostalgia in German film since 1989
- Screens and veils : Maghrebi women's cinema
- Sensational movies : video, vision, and Christianity in Ghana
- Slaying the dragon
- Sociology on film : postwar Hollywood's prestige commodity
- Sociology on film : postwar Hollywood's prestige commodity
- South Asians on the U.S. screen : just like everyone else?
- Sovereign violence : ethics and South Korean cinema in the new millennium
- Special affects : cinema, animation and the translation of consumer culture
- Studying the British crime film
- Ten Arab filmmakers : political dissent and social critique
- The End of Cinema? : a Medium in Crisis in the Digital Age
- The bad sixties : Hollywood memories of the counterculture, antiwar, and Black power movements
- The cinema of urban crisis : seventies film and the reinvention of the city
- The complexity and progression of black representation in film and television
- The hidden foundation : cinema and the question of class
- The passion of Montgomery Clift
- The problem of the color(blind) : racial transgression and the politics of black performance
- The social architecture of French cinema, 1929-1939
- The white savior film : content, critics, and consumption
- Twilight of the idols : Hollywood and the human sciences in 1920s America
- Videoland : movie culture at the American video store
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/Y74kfAK6JTM/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/Y74kfAK6JTM/">Motion pictures -- Social aspects</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
