ART -- Film & Video
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The concept ART -- Film & Video represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
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ART -- Film & Video
Resource Information
The concept ART -- Film & Video represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
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- ART -- Film & Video
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202 Items that share the Concept ART -- Film & Video
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- "Baad bitches" and sassy supermamas : Black power action films
- 21st century Hollywood : movies in the era of transformation
- 3-D revolution : the history of modern stereoscopic cinema
- A history of horror
- Abstract video : the moving image in contemporary art
- Action! : interviews with directors from classical Hollywood to contemporary Iran
- Afghanistan in the cinema
- African film and literature : adapting violence to the screen
- Afterimage : film, trauma, and the Holocaust
- Amateur movie making : aesthetics of the everyday in New England film, 1915-1960
- American cinema of the 1920s : themes and variations
- American politics in Hollywood film
- Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties
- Best years : going to the movies, 1945-1946
- Black city cinema : African American urban experiences in film
- Blockbuster history in the new Russia : movies, memory, and patriotism
- Brazilian Road Movie : Journeys of (Self) Discovery
- Brazilian women's filmmaking : from dictatorship to democracy
- Breaking the fourth wall : direct address in the cinema
- British genres : cinema and society, 1930-1960
- Broken mirrors, broken minds : the dark dreams of Dario Argento
- Brutal vision : the neorealist body in postwar Italian cinema
- Cinema Today : a Conversation with Thirty-nine Filmmakers from around the World
- Cinema and Fascism : Italian Film and Society, 1922-1943
- Cinema and experience : Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno
- Cinema approaching reality : locating chinese film theory
- Cinema's alchemist : the films of Péter Forgács
- Cinemas in transition in Central and Eastern Europe after 1989
- Cinematic flashes : cinephilia and classical Hollywood
- Concentrationary cinema : aesthetics as political resistance in Alain Resnais's Night and fog (1955)
- Consuming visions : cinema, writing, and modernity in Rio de Janeiro
- Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation
- Contemporary action cinema
- Counter-archive : film, the everyday, and Albert Kahn's Archives de la Plan{garve}ete
- Cowboys as cold warriors : the Western and U.S. history
- Cult British TV comedy : from Reeves and Mortimer to Psychoville
- Dance and the Hollywood Latina : Race, Sex and Stardom
- Dante, cinema, and television
- Destination London : German-speaking emigrés and British cinema, 1925-1950
- Digital imaging in popular cinema
- Digital memory and the archive
- Digital visual effects in cinema : the seduction of reality
- Dismantling the dream factory : gender, German cinema, and the postwar quest for a new film language
- Divas on screen : Black women in American film
- Early cinema in Asia
- Editing and special/visual effects
- Euro horror : classic European horror cinema in contemporary American culture
- Ex-cinema : from a theory of experimental film and video
- Existentialism and contemporary cinema : a Sartrean perspective
- Exporting perilous pauline : Pearl White and serial film craze
- Far-flung families in film : the diasporic family in contemporary European cinema
- Ferocious reality : documentary according to Werner Herzog
- Fiery cinema : the emergence of an affective medium in China, 1915-1945
- Fight Pictures : a History of Boxing and Early Cinema
- Film festivals : culture, people, and power on the global screen
- Film nation : Hollywood looks at U.S. history
- Film, mobility and urban space : a cinematic geography of Liverpool
- First Cut 2 : More Conversations with Film Editors
- Framing pictures : film and the visual arts
- Framing the world : explorations in ecocriticism and film
- From light to byte : toward an ethics of digital cinema
- Gender meets genre in postwar cinemas
- Gendering the nation : Canadian women's cinema
- Global Nollywood : the transnational dimensions of an African video film industry
- Go west, young women! : the rise of early Hollywood
- Heritage film audiences : period films and contemporary audiences in the UK
- Hidden in plain sight : an archaeology of magic and the cinema
- Hitchcock's Magic
- Hollywood Be Thy Name : African American Religion in American Film, 1929-1949
- Hollywood science : movies, science, and the end of the world
- Hollywood vault : film libraries before home video
- Hollywood's African American films : the transition to sound
- Hollywood's Indian : the Portrayal of the Native American in Film
- Hollywood's Italian American filmmakers : Capra, Scorsese, Savoca, Coppola, and Tarantino
- Hollywood's White House : the American presidency in film and history
- Hollywood's censor : Joseph I. Breen & the Production Code Administration
- Hollywood's war with Poland, 1939-1945
- Home in Hollywood : the imaginary geography of cinema
- Hong Kong screenscapes : from the new wave to the digital frontier
- Humphrey Jennings
- In the national interest : a chronicle of the National Film Board of Canada from 1949 to 1989
- Indian Accents : Brown Voice and Racial Performance in American Television and Film
- Into the vortex : female voice and paradox in film
- Invisible Storytellers : Voice-Over Narration in American Fiction Film
- Irving Thalberg : Boy Wonder to Producer Prince
- Island on the edge : Taiwan new cinema and after
- Italian neorealist cinema
- Italian post-neorealist cinema
- Journalism in the movies
- Jubilee : six film scripts
- Kicking the Pricks
- Killer tapes and shattered screens : video spectatorship from VHS to file sharing
- Knock me up, knock me down : images of pregnancy in Hollywood films
- Korean horror cinema
- Lady Chatterley's Legacy in the Movies : Sex, Brains and Body Guys
- Landscapes of Loss : the National Past in Postwar French Cinema
- Latin American melodrama : passion, pathos, and entertainment
- Letterboxed : the evolution of widescreen cinema
- Literature, cinema and politics, 1930-1945 : reading between the frames
- Lukácsian film theory and cinema : a study of Georg Lukács' writings on film, 1913-71
- Making believe : screen performance and special effects in popular cinema
- Masters of Light : Conversations with Contemporary Cinematographers
- Masters of two arts : re-creation of European literatures in Italian cinema
- Maximum movies--pulp fictions : film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
- Men in African film & fiction
- Mex-Cine : Mexican filmmaking, production, and consumption in the twenty-first century
- Michelangelo Red Antonioni Blue : Eight Reflections on Cinema
- Mining the Home Movie : Excavations in Histories and Memories
- More than Night : Film Noir in Its Contexts
- Moving color : early film, mass culture, modernism
- Native Americans on film : conversations, teaching, and theory
- Navajo talking picture : cinema on native ground
- Neither god nor master : Robert Bresson and radical politics
- New Austrian film
- Noir urbanisms : dystopic images of the modern city
- One world, big screen : Hollywood, the Allies, and World War II
- Our gang : a racial history of The little rascals
- Our own image : a story of a Maori filmmaker
- Photography, cinema, memory : the crystal image of time
- Polish film and the Holocaust : politics and memory
- Politics and Performance in Post-Dictatorship Argentine
- Post-westerns : cinema, region, West
- Precocious Charms : Stars Performing Girlhood in Classical Hollywood Cinema
- Projecting a nation : Chinese national cinema before 1949
- Raoul Walsh : the true adventures of Hollywood's legendary director
- Recording reality, desiring the real
- Reel nature : America's romance with wildlife on film
- Ride, Boldly Ride : the Evolution of the American Western
- Romantics and modernists in British cinema
- Screening Cuba : film criticism as political performance during the Cold War
- Screening gender, framing genre : Canadian literature into film
- Screening integration : recasting Maghrebi immigration in contemporary France
- Screening nostalgia : populuxe props and technicolor aesthetics in contemporary American film
- Screening the east : Heimat, memory and nostalgia in German film since 1989
- Screening torture : media representations of state terror and political domination
- Screens : viewing media installation art
- Screens and veils : Maghrebi women's cinema
- Selected film essays and interviews
- Shell shock cinema : Weimar culture and the wounds of war
- Siegfried Kracauer's American writings : essays on film and popular culture
- Siren City : Sound and Source Music in Classic American Noir
- Smiling in slow motion
- So close to the State/s : the emergence of Canadian feature film policy
- Southeast Asian independent cinema : essays, documents, interviews
- Spanish horror film
- Spanish queer cinema
- Stereoscopic cinema & the origins of 3-D film, 1838-1952
- Supercinema : film-philosophy for the digital age
- Sustainable audiovisual collections through collaboration : proceedings of the 2016 Joint Technical Symposium
- Taking place : location and the moving image
- Teen film : a critical introduction
- Temporality and film analysis
- Tender comrades : a backstory of the Hollywood blacklist
- The B word : bisexuality in contemporary film and television
- The British New Wave : a certain tendency?
- The Chinese diaspora on American screens : race, sex, and cinema
- The Cinematic Footprint : Lights, Camera, Natural Resources
- The Devil You Dance With : Film Culture in the New South Africa
- The French road movie : space, mobility, identity
- The Invisible Hand in Popular Culture : Liberty vs. Authority in American Film and TV
- The Kinetoscope : a British History
- The Makers of American Wine : a Record of Two Hundred Years
- The Men With The Movie Camera : the Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- The New Jew in Film : Exploring Jewishness and Judaism in Contemporary Cinema
- The Pusan International Film Festival, South Korean cinema, and globalization
- The Quay Brothers : into a metaphysical playroom
- The Rise of Spanish-Language Filmmaking : Out from Hollywood's Shadow, 1929-1939
- The Shocking Miss Pilgrim : a Writer in Early Hollywood
- The battle for the Bs : 1950s Hollywood and the rebirth of low-budget cinema
- The child in Spanish cinema
- The cinema of Takeshi Kitano : flowering blood
- The eyes have it : cinema and the reality effect
- The films of Elías Querejeta : a producer of landscapes
- The garden in the machine : a field guide to independent films about place
- The girl from God's country : Nell Shipman and the silent cinema
- The heretical archive : digital memory at the end of film
- The horror film
- The international film musical
- The living and the undead : slaying vampires, exterminating zombies
- The long take : art cinema and the wondrous
- The new Neapolitan cinema
- The new extremism in cinema : from France to Europe
- The phantom Holocaust : Soviet cinema and Jewish catastrophe
- The reluctant film art of Woody Allen
- The right to play oneself : looking back on documentary film
- The thrill makers : celebrity, masculinity, and stunt performance
- The wounds of nations : Horror cinema, historical trauma and national identity
- The zoom : drama at the touch of a lever
- Thomas Ince : Hollywood's independent pioneer
- Through amateur eyes : film and photography in Nazi Germany
- Trash : African cinema from below
- Trauma culture : the politics of terror and loss in media and literature
- Turkish German cinema in the new millennium : sites, sounds, and screens
- Veiled desires : intimate portrayals of nuns in postwar Anglo-American film
- Visions of Japanese Modernity : Articulations of Cinema, Nation, and Spectatorship, 1895-1925
- Visions of paradise : images of Eden in the cinema
- Visions of the maid : Joan of Arc in American film and culture
- Washed in Blood : Male Sacrifice, Trauma, and the Cinema
- White Gypsies : race and stardom in Spanish musicals
- Working on screen : representations of the working class in Canadian cinema
- Yellow future : oriental style in Hollywood cinema
- Zimbabwe's cinematic arts : language, power, identity
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/_zprGzotNcg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/_zprGzotNcg/">ART -- Film & Video</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>
