Ecopoetics : the language of nature, the nature of language

Resource Information

The work Ecopoetics : the language of nature, the nature of language represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.

Label

Ecopoetics : the language of nature, the nature of language

Title remainder

the language of nature, the nature of language

Statement of responsibility

Scott Knickerbocker

Creator

• Knickerbocker, Scott

Subject

• American poetry
• American poetry -- 20th century -- History and criticism
• Criticism, interpretation, etc
• Ecocriticism
• Ecocriticism
• Ecology in literature
• Ecology in literature
• Electronic books
• History
• LITERARY CRITICISM -- Poetry
• Nature conservation in literature
• Nature conservation in literature
• Philosophy of nature in literature
• Philosophy of nature in literature
• Poetics
• Poetics -- History -- 20th century
• 1900-1999

Genre

• Electronic books
• History
• Criticism, interpretation, etc

Language

eng

Summary

"Ecocritics and other literary scholars interested in the environment have tended to examine writings that pertain directly to nature and to focus on subject matter more than expression. In this book, Scott Knickerbocker argues that it is time for the next step in ecocriticism: scholars need to explore the figurative and aural capacity of language to evoke the natural world in powerful ways. Ecopoetics probes the complex relationship between artifice and the natural world in the work of modern American poets--in particular Wallace Stevens, Elizabeth Bishop, Richard Wilbur, and Sylvia Plath. These poets relate to nature as a deep wellspring of meaning, although they all avoid using language the way most nature writers do, merely to reflect or refer directly to the world. Each of these poets, in his or her own distinct way, employs instead what Knickerbocker terms sensuous poesis, the process of rematerializing language through sound effects and other formal devices as a sophisticated response to nonhuman nature. Rather than attempt to erase the artifice of their own poems, to make them seem more natural and thus supposedly closer to nature, the poets in this book unapologetically embrace artifice--not for its own sake but in order to perform and enact the natural world. Indeed, for them, artifice is natural. In examining their work, Knickerbocker charts a new direction for ecocriticism."--Project Muse

Member of

• UPCC book collections on Project MUSE

Cataloging source

LGG

Index

index present

Literary form

non fiction

Nature of contents

• dictionaries
• bibliography