Aemilia Lanyer : gender, genre, and the canon
Resource Information
The work Aemilia Lanyer : gender, genre, and the canon represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Aemilia Lanyer : gender, genre, and the canon
Resource Information
The work Aemilia Lanyer : gender, genre, and the canon represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Aemilia Lanyer : gender, genre, and the canon
- Title remainder
- gender, genre, and the canon
- Statement of responsibility
- Marshall Grossman, editor
- Subject
-
- 1500-1700
- Canon (Literature)
- Canon (Literature)
- Christian poetry, English -- Early modern
- Christian poetry, English -- Early modern, 1500-1700 -- History and criticism
- Criticism, interpretation, etc
- Electronic books
- England
- History
- LITERARY CRITICISM -- Women Authors
- Lanyer, Aemilia
- Lanyer, Aemilia
- Lanyer, Aemilia -- Criticism and interpretation
- Literary form
- Literary form -- History -- 17th century
- POETRY -- English, Irish, Scottish, Welsh
- Salve Deus Rex Judaeorum (Lanyer, Aemilia)
- Women and literature
- Women and literature -- England -- History -- 17th century
- Language
- eng
- Summary
- Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems. Using standard genres to address distinctly feminine concerns, Lanyer's work is varied, subtle, provocative, and witty. Her religious poem ""Salve Deus Rex Judaeorum"" repeatedly projects a female subject for a female reader and casts the Passion in terms of gender conflict. Lanyer also carried this concern with gender into the very structure of the poem; whereas a work of praise usually held up the superiority of its patrons, the good women in Lanyer's poem exemplify worth women in general
- Cataloging source
- E7B
- Index
- index present
- Literary form
- poetry
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Studies in the English Renaissance
Context
Context of Aemilia Lanyer : gender, genre, and the canonWork of
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