Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley

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The instance Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley represents a material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Instance, Electronic.

The Resource Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley

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Label: Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley

Title remainder: Lawrence Alloway's cultural criticism

Statement of responsibility: Nigel Whiteley

Instantiates

Art and pluralism : Lawrence Alloway's cultural criticism

Publication

Liverpool, Liverpool University Press, 2012

Bibliography note: Includes bibliographical references (pages 473-489) and index

Carrier category: online resource

Carrier category code

Carrier MARC source: rdacarrier

Content category: text

Content type code

Content type MARC source: rdacontent

Contents

British art scene
Abstraction and iconography
11.
communications network
12.
Departure from the Guggenheim
13.
Exile in Carbondale
14.
Arts Magazine
15.
4.
Venice Biennale
16.
Return to New York: SVA, SUNY, and The Nation
17.
Options
18.
Expanding and disappearing works of art
19.
Alloway's Nation criticism
20.
Early career
Newness and the avant-garde
21.
Post-Minimal radicalism
22.
Historical revisions: Abstract Expressionism and Picasso
23.
Mass communications
24.
Film criticism
25.
Section B
Violent America
26.
Pluralism as a "unifying theory"
Section D
Alternatives, 1971-1988
1.
Disorientation and dissent in the art world
2.
Alloway and the politicization of art, 1968-1970
3.
Continuum, 1952 -- 1961
Changing values, 1971-1972
4.
Art/brunt and the art world as a system
5.
1973 and a new pluralism
6.
uses and limits of art criticism
7.
Criticism and women's art, 1972-1974
8.
1.
Women's art and criticism, 1975
9.
realist "renewal"
10.
Photo-Realism
11.
realist "revival"
12.
Realist revisionism
13.
Art criticism, 1951-1952
decline of the avant-garde
14.
"Legitimate variables"
15.
Earth art
16.
Public art
17.
In praise of plenty
18.
2.
Crises in the art world: criticism
19.
Crises in the art world: feminism
20.
Crises in the art world: curatorship
21.
co-ops and "alternative" spaces
22.
Turn of the decade decline
23.
ICA in the early 1950s
Mainstream
24.
and "alternative"
25.
last years
26.
complex present
Section E
Summary and Conclusion
1.
3.
Pluralism
2.
"Post-Modernism"
3.
Art history
4.
Art criticism
5.
Alloway's reputation
6.
Machine generated contents note:
Independent Group: aesthetic problems
Art
7.
legacy of pluralism
4.
Independent Group: popular culture
5.
Art criticism, 1953 -- 1955
6.
Alloway and abstraction
7.
Alloway and figurative art
8.
Section
This Is Tomorrow, 1956
9.
Information Theory
10.
Group 12 and Information Theory
11.
Science fiction
12.
cultural continuum model
13.
A Introduction
Writings about the movies
14.
Graphics and advertising
15.
Design
16.
Architecture and the city
17.
Channel flows
18.
1.
Art autre
19.
human image
20.
Modern Art in the United States, 1956
21.
Action Painting
22.
First trip to the USA
23.
Alloway and pluralism
New American Painting, 1958
24.
Alloway and Greenberg
25.
Cold wars
26.
British art and the USA: The Middle Generation
27.
younger generation and the avant-garde
28.
2.
Hard Edge
29.
Place and the avant-garde, 1959
30.
Situation and its legacy
31.
emergence of Pop art
32.
Alloway's departure
Section C
Background
Abundance, 1961 -- 1971
1.
Arrival in the USA and "Clemsville"
2.
Junk art
3.
American Pop
4.
Curator at the Guggenheim
5.
3.
Six Painters and the Object and Six More, 1963
6.
Other writings on Pop
7.
Art as human evidence
8.
Alexander Liberman and Paul Feeley
9.
Systemic Painting, 1966
10.

Control code: ocn811488562

Dimensions: unknown

Extent: 1 online resource (xiv, 510 pages, 16 unnumbered pages of plates)

Form of item: online

Isbn: 9781781386149

Media category: computer

Media MARC source: rdamedia

Media type code

Note: JSTOR

Other physical details: illustrations (some color), portraits

http://library.link/vocab/ext/overdrive/overdriveId: 22573/ctt5p54dw

Record ID: .b46834138

Specific material designation: remote

System control number: (OCoLC)811488562

Context

Context of Art and pluralism : Lawrence Alloway's cultural criticism, Nigel Whiteley

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Instantiates