Disordered heroes in opera : a psychiatric report
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The work Disordered heroes in opera : a psychiatric report represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Disordered heroes in opera : a psychiatric report
Resource Information
The work Disordered heroes in opera : a psychiatric report represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Disordered heroes in opera : a psychiatric report
- Title remainder
- a psychiatric report
- Statement of responsibility
- John Cordingly ; edited by Claire Seymour
- Subject
-
- Berg, Alban, 1885-1935
- Billy Budd (Britten, Benjamin)
- Boris Godunov (Mussorgsky, Modest Petrovich)
- Britten, Benjamin, 1913-1976
- Death in Venice (Britten, Benjamin)
- Don Giovanni (Mozart, Wolfgang Amadeus)
- Electronic books
- Evgeniĭ Onegin (Tchaikovsky, Peter Ilich)
- Aschenbach, Gustav von (Fictitious character)
- Faust (Legendary character)
- Faust, (Legendary character)
- Gounod, Charles, 1818-1893
- Heroes in opera -- Psychological aspects
- Iago (Fictitious character)
- Iago (Fictitious character)
- Juan, Don (Legendary character)
- Juan, Don (Legendary character)
- MUSIC -- Instruction & Study | Voice
- MUSIC -- Lyrics
- MUSIC -- Printed Music | Vocal
- Massenet, Jules, 1842-1912
- Mozart, Wolfgang Amadeus, 1756-1791
- Mussorgsky, Modest Petrovich, 1839-1881
- Onegin, Evgeniĭ, (Fictitious character)
- Onegin, Evgeniĭ, (Fictitious character)
- Opera -- Psychological aspects
- Opera -- Psychological aspects
- Otello (Verdi, Giuseppe)
- Peter Grimes (Britten, Benjamin)
- Pikovai︠a︡ dama (Tchaikovsky, Peter Ilich)
- Tchaikovsky, Peter Ilich, 1840-1893
- Verdi, Giuseppe, 1813-1901
- Werther (Massenet, Jules)
- Wozzeck (Berg, Alban)
- Faust (Gounod, Charles)
- Aschenbach, Gustav von (Fictitious character)
- Language
- eng
- Summary
- The retired psychiatrist and former music graduate John Cordingly examines twelve operatic heroes under six sub-categories of personality disorder. He justifies his view that they are not 'mad' by tracing the histories of mental disorder, sexuality and Byronism, and by placing each opera within its cultural context. He also considers what professional treatment is needed according to modern criteria. His gallery of heroes includes the hubristic Otello and Godunov, the psychopathic Iago and Claggart, the schizoid Wozzeck and Grimes, the borderline Werther and Herman, the narcissisticDon Giovanni and Onegin, and the repressed and melancholic Faust and Aschenbach. Each is considered within the overall design of their respective work. Cordingly also probes the reception of each opera and draws comparisons with cases from life. The book is a landmark in being the first of its kind and weaves a fascinating tapestry of concerns. It is also eminently readable. JOHN CORDINGLY (author) is a Fellow of the Royal College of Psychiatrists. CLAIRE SEYMOUR (editor) is Head of Senior College at Queen's College London and the author of The Operas of Benjamin Britten [Boydell Press]
- Cataloging source
- JSTOR
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Defining opera
Context
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