Crossmappings : on visual culture, Elisabeth Bronfen
Resource Information
The instance Crossmappings : on visual culture, Elisabeth Bronfen represents a material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
The Resource
Crossmappings : on visual culture, Elisabeth Bronfen
Resource Information
The instance Crossmappings : on visual culture, Elisabeth Bronfen represents a material embodiment of a distinct intellectual or artistic creation found in University of San Diego Libraries.
- Label
- Crossmappings : on visual culture, Elisabeth Bronfen
- Title remainder
- on visual culture
- Statement of responsibility
- Elisabeth Bronfen
- Note
- "An earlier version of this collection of essays with graphic design by Bruno Margreth appeared in German with Scheidegger & Spiess in 2009"--Title page verso
- Bibliography note
- Includes bibliographical references (pages [365]-382) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent
- rdacontent
- Contents
-
- Leaving an imprint: Francesca Woodman's photographic tableaux vivants
- 4.
- Pop cinema: Hollywood's critical engagement with America's culture of consumption
- 5.
- Hitler goes pop: totalitarianism, avant-garde aesthetics and Hollywood entertainment
- 6.
- Simulations of the real: Paul McCarthy's performance disasters
- 7.
- Wagner's Isolde in Hollywood
- 8.
- Introduction:
- Shakespeare's wire
- 9.
- Queen of chess: on serial reading
- Part II.Gendering the uncanny, imagining death
- 10.
- The horror of the familiar: Freud's thoughts on femininity and the uncanny
- 11.
- Gendering curiosity: the double games of Siri Hustvedt, Paul Auster and Sophie Calle
- 12.
- The other self of the imagination: Cindy Sherman's hysterical performance
- Crossmappings - visual readings as a critical intervention in the cultural imaginary
- 13.
- Eva Hesse's spectral bride and her uncanny double
- 14.
- Wounds of wonder: Diane Arbus, Nan Goldin, Nabuyoshi Araki
- 15.
- The fragility of the quotidian: Eija-Liisa Ahtila's work with death
- 16.
- Picasso's war women
- 17.
- Contending with the father: Louise Bourgeois and her aesthetics of reparation
- Part I. Travelling image formulas
- 1.
- Facing defacement: Degas' portraits of women
- 2.
- Naked touch: disfiguration, recognition and the female nude
- 3.
- Control code
- 1004073419
- Dimensions
- 25 cm
- Extent
- xxvii, 399 pages
- Isbn
- 9781788311076
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- Record ID
- .b48261865
- System control number
- (OCoLC)1004073419
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sandiego.edu/resource/ltqPEdwm7pI/" typeof="Book http://bibfra.me/vocab/lite/Instance"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sandiego.edu/resource/ltqPEdwm7pI/">Crossmappings : on visual culture, Elisabeth Bronfen</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sandiego.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sandiego.edu/">University of San Diego Libraries</a></span></span></span></span></div>