Art and society
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The concept Art and society represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
The Resource
Art and society
Resource Information
The concept Art and society represents the subject, aboutness, idea or notion of resources found in University of San Diego Libraries.
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- Art and society
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- http://id.worldcat.org/fast/00815432
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- fast
155 Items that share the Concept Art and society
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- "The dignity of every human being". New Brunswick Artists and Canadian culture between the Great Depression and the Cold War
- A century of Israeli art
- Aboriginal art and Australian society : hope and disenchantment
- After art
- After art
- America after the fall : painting in the 1930s
- American women artists, 1935-1970 : gender, culture, and politics
- Anarchism and art : democracy in the cracks and on the margins
- Andy Warhol
- Anthropology, art and cultural production
- Antitheatricality and the Body Public
- Apostolic iconography and Florentine confraternities in the age of reform
- Art and human rights : contemporary Asian contexts
- Art and production
- Art and protest in Putin's Russia
- Art and the German bourgeoisie : Alfred Lichtwark and modern painting in Hamburg, 1886-1914
- Art and the city : civic imagination and cultural authority in Los Angeles
- Art by the book : painting manuals and the leisure life in late Ming China
- Art in Britain 1660-1815
- Art in Ireland since 1910
- Art work : women artists and democracy in mid-nineteenth-century New York
- Art worlds
- Art, Politics, and Development : How Linear Perspective shaped Policies in the Western World
- Art, religion, amnesia : the enchantments of credulity
- Arts, Inc. : how greed and neglect have destroyed our cultural rights
- Astonishment and evocation : the spell of culture in art and anthropology
- Autonomy : the social ontology of art under capitalism
- Baroque Naples and the industry of painting : the world in the workbench
- Bernhard Heisig and the fight for modern art in East Germany
- Bernhard Heisig and the fight for modern art in East Germany
- Bouguereau & America
- British art and the First World War, 1914-1924
- California Mexicana : missions to murals, 1820-1930
- Central to their lives : Southern women artists in the Johnson Collection
- Chicano and Chicana art : a critical anthology
- Citizen portrait : portrait painting and the urban elites of Tudor and Jacobean England and Wales
- Citizen spectator : art, illusion, and visual perception in early national America
- Classical art : a life history from antiquity to the present
- Collectivism after modernism : the art of social imagination after 1945
- Contemporary Iranian art : from the street to the studio
- Contemporary Iranian art : new perspectives
- Corn palaces and butter queens : a history of crop art and dairy sculpture
- Crossmappings : on visual culture
- Curating at the edge : artists respond to the U.S./Mexico border
- Curatorial activism : towards an ethics of curating
- Decoration and display in Rome's imperial thermae : messages of power and their popular reception at the Baths of Caracalla
- Del realismo a la abstracción : la plástica y sus vínculos con la historia de Guatemala, 1954-2014.
- Delirium and resistance : activist art and the crisis of capitalism
- Democratising beauty in nineteenth-century Britain : art and the politics of public life
- Distributed objects : meaning and mattering after Alfred Gell
- Durkheim, the Durkheimians, and the arts
- Dutch art and urban cultures, 1200-1700
- Education
- Exhibiting blackness : African Americans and the American art museum
- Fetishes and monuments : Afro-Brazilian art and culture in the twentieth century
- Fringe and fortune : the role of critics in high and popular art
- Generation Dada : the Berlin Avant-Garde and the First World War
- Global art and the Cold War
- Grant Wood : a study in American art and culture
- Hairy Who? 1966-1969
- Harriet Hosmer : a cultural biography
- High culture and tall chimneys : Art institutions and urban society in Lancashire, 1780-1914
- History of illustration
- How institutions think : between contemporary art and curatorial discourse
- Image of the body : aspects of the nude
- Images and ideas in seventeenth-century Spanish painting
- Images of power and the power of images
- Imperial illusions : crossing pictorial boundaries in the Qing palaces
- In the courts of religious ladies : art, vision, and pleasure in Italian Renaissance convents
- Industry and intelligence : contemporary art since 1820
- Industry and intelligence : contemporary art since 1820
- Invisible colors : the arts of the atomic age
- Islamic art and visual culture : an anthology of sources
- Italian art, 1250-1550 : the relation of Renaissance art to life and society
- Jackson Pollock
- Kentucky by design : the decorative arts and American culture
- Kill for peace : American artists against the Vietnam War
- Making modern Japanese-style painting : Kano Hōgai and the search for images
- Method meets art : arts-based research practice
- Method meets art : arts-based research practice
- Mirroring China's past : emperors, scholars, and their bronzes = Ji jin jian gu
- Monastery, monument, museum : sites and artifacts of Thai cultural memory
- Moscow vanguard art : 1922-1992
- Networked art
- Never alone, except for now : art, networks, populations
- No laughing matter : visual humor in ideas of race, nationality, and ethnicity
- Of green leaf, bird, and flower : artists' books and the natural world
- One day at a time : Manny Farber and termite art
- Origins of European printmaking : fifteenth-century woodcuts and their public
- Outliers and American vanguard art
- Peasant scenes and landscapes : the rise of pictorial genres in the Antwerp art market
- Pens and needles : women's textualities in early modern England
- Playing it straight : art and humor in the Gilded Age
- Practices of looking : an introduction to visual culture
- Prints & people : a social history of printed pictures
- Queering contemporary Asian American art
- Race experts : sculpture, anthropology, and the American public in Malvina Hoffman's (start italics) Races of mankind (end italics)
- Race experts : sculpture, anthropology, and the American public in Malvina Hoffman's Races of mankind
- Reconstructing the house of culture : community, self, and the makings of culture in Russia and beyond
- Reparación simbólica : jurisprudencia, cantos y tejidos
- Roman artists, patrons, and public consumption : familiar works reconsidered
- Sacred exchanges : images in global context
- Selling Andrew Jackson : Ralph E.W. Earl and the politics of portraiture
- Soul of a nation : art in the age of Black power
- Soviet women and their art : the spirit of equality
- Spirit of the place : from Mauthausen to MoMA
- Spreading canvas : eighteenth-century British marine painting
- Still lives : death, desire, and the portrait of the old master
- The American Pre-Raphaelites : radical realists
- The Barcelona reader : cultural readings of a city
- The Chinese literati on painting : Su Shih (1037-1101) to Tung Ch'i-ch'ang (1555-1636)
- The Escorial : art and power in the Renaissance
- The Futurist Files : Avant-Garde, Politics, and Ideology in Russia, 1905-1930
- The Last Judgment : Michelangelo and the death of the Renaissance
- The Mongol century : visual cultures of Yuan China, 1271-1368
- The Neapolitan lives and careers of Netherlandish immigrant painters (1575-1655)
- The age of the cathedrals : art and society, 980-1420
- The arts and the creation of mind
- The arts of kingship : Hawaiian art and national culture of the Kalākaua era
- The conversation piece : making modern art in eighteenth-century Britain
- The deceivers : art forgery and identity in the nineteenth century
- The effects of the nation : Mexican art in an age of globalization
- The idea of art as propaganda in France, 1750-1799 : a study in the history of ideas
- The living theatre of medieval art.
- The migrant image : the art and politics of documentary during global crisis
- The modern moves west : California artists and democratic culture in the twentieth century
- The pilgrim art : cultures of porcelain in world history
- The poster : art, advertising, design, and collecting, 1860s-1900s
- The shock of the new
- The stakes of exposure : anxious bodies in postwar Japanese art
- The stakes of exposure : anxious bodies in postwar Japanese art
- The sublime
- The tiger in the smoke : art and culture in post-war Britain
- The woodcut in fifteenth-century Europe
- The world in Venice : print, the city and early modern identity
- The world of Khubilai Khan : Chinese art in the Yuan Dynasty
- Theatre for peacebuilding : the role of arts in conflict transformation in South Asia
- Things American : art museums and civic culture in the Progressive Era
- To describe a life : notes from the intersection of art and race terror
- Using images in late antiquity
- Utopias
- Victor Arnautoff and the politics of art
- Visual art and the urban evolution of the New South
- Visual culture in the modern Middle East : rhetoric of the image
- Visual cultures of foundling care in Renaissance Italy
- Visual display : culture beyond appearances
- Visualizing Guadalupe : from Black Madonna to Queen of the Americas
- War culture and the contest of images
- West of Center : Art and the Counterculture Experiment in America, 1965-1977
- When Art Makes News : Writing Culture and Identity in Imperial Russia
- Women, art and the New Deal
- Women, gender and art in Asia, c. 1500-1900
- Work sights : the visual culture of industry in nineteenth-century America
- Work sights : the visual culture of industry in nineteenth-century America
- Ángeles del hogar y musas callejeras : representaciones femeninas en la pintura del siglo XIX en México
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