Duchamp and the aesthetics of chance : art as experiment
Resource Information
The work Duchamp and the aesthetics of chance : art as experiment represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Duchamp and the aesthetics of chance : art as experiment
Resource Information
The work Duchamp and the aesthetics of chance : art as experiment represents a distinct intellectual or artistic creation found in University of San Diego Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Duchamp and the aesthetics of chance : art as experiment
- Title remainder
- art as experiment
- Statement of responsibility
- Herbert Molderings ; translated by John Brogden
- Title variation
- Art as experiment
- Subject
-
- ART -- Individual Artists | Essays
- ART -- Individual Artists | Monographs
- Criticism, interpretation, etc
- Duchamp, Marcel, 1887-1968
- Duchamp, Marcel, 1887-1968
- Duchamp, Marcel, 1887-1968 -- Criticism and interpretation
- Electronic books
- PHILOSOPHY -- Aesthetics
- ART -- Individual Artists | Artists' Books
- Language
-
- eng
- ger
- eng
- Summary
- Marcel Duchamp is often viewed as an ""artist-engineer-scientist, "" a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scien
- Cataloging source
- MERUC
- Illustrations
- illustrations
- Index
- index present
- Language note
- Translated from the German
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Columbia themes in philosophy, social criticism, and the arts
Context
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