Coverart for item
The Resource Experimental film and video : an anthology, edited by Jackie Hatfield ; picture editor, Stephen Littman

Experimental film and video : an anthology, edited by Jackie Hatfield ; picture editor, Stephen Littman

Label
Experimental film and video : an anthology
Title
Experimental film and video
Title remainder
an anthology
Statement of responsibility
edited by Jackie Hatfield ; picture editor, Stephen Littman
Contributor
Subject
Genre
Language
eng
Action
digitized
Cataloging source
OCLCE
Illustrations
illustrations
Index
no index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Hatfield, Jackie
  • Littman, Stephen
http://library.link/vocab/subjectName
  • Experimental films
  • Video art
  • Films expérimentaux
  • Vidéos expérimentales
  • PERFORMING ARTS
  • Experimental films
  • Video art
  • Experimentele filmkunst
Label
Experimental film and video : an anthology, edited by Jackie Hatfield ; picture editor, Stephen Littman
Instantiates
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Matter's Time Time For Material
  • Reflections on My Practice and Media Specificity
  • Malcolm Le Grice
  • 220
  • Chapter 24
  • Expanded Cinema -- Proto, Post-Photo
  • Jackie Hatfield
  • 237
  • Chapter 25
  • Image Con Text (1978-2003): Film/Performance/Video/Digital
  • Mike Leggett
  • Peter Gidal
  • 246
  • Section IV
  • Images
  • 263
  • 18
  • Chapter 3
  • Films and Installations -- A Systems View of Nature
  • Chris Welsby
  • 26
  • Chapter 4
  • A Line Through My Work
  • Nicky Hamlyn
  • Section I
  • 36
  • Chapter 5
  • A Few Notes on Filmmaking
  • Jayne Parker
  • 47
  • Chapter 6
  • Film Noise Aesthetics
  • Rob Gawthrop
  • 53
  • Chapter 7
  • Philosophies and Critical Histories of Avant-Garde Film and Current Practice
  • Line Describing a Cone and Related Films
  • Anthony McCall
  • 61
  • Section II
  • Languages of Representation in Film and Video: Thresholds of Materiality
  • 75
  • Chapter 8
  • Trilogical Distractions
  • Lis Rhodes
  • 77
  • 1
  • Chapter 9
  • The 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning
  • Sarah Pucill
  • 83
  • Chapter 10
  • Film, The Body, The Fold An Interview with Nina Danino on Now I Am Yours
  • Nina Danino, Susanna Poole
  • 93
  • Chapter 11
  • Attitudes 1-8
  • Chapter 1
  • Katherine Meynell
  • 102
  • Chapter 12
  • Video Works 1973-1983
  • David Critchley
  • 107
  • Chapter 13
  • Early Video Tapes 1978-1987
  • Chris Meigh-Andrews
  • 113
  • Post Future Past Perfect
  • Chapter 14
  • Andrew Kotting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kotting
  • Gareth Evans, Andrew Kotting
  • 126
  • Chapter 15
  • Ardent for Some Desperate Glory: Revisiting Smothering Dreams
  • Daniel Reeves
  • 137
  • Chapter 16
  • War Stories, or Why I Make Videos About Old Soldiers
  • Grahame Weinbren
  • Cate Elwes
  • 151
  • Chapter 17
  • Moving Parts: The Divergence of Practice
  • Vicky Smith
  • 163
  • Section III
  • Philosophies and Critical Histories of Video Art to Cinema
  • 169
  • Chapter 18
  • 3
  • Mutation on a Form
  • Karen Mirza, Brad Butler
  • 171
  • Chapter 19
  • Video: Incorporeal, Incorporated
  • Stephen Partridge
  • 180
  • Chapter 20
  • Tamara Krikorian -- Defending the Frontier
  • Cate Elwes
  • Chapter 2
  • 190
  • Chapter 21
  • Another Place -- David Hall
  • Jackie Hatfield
  • 200
  • Chapter 22
  • Alchemy and the Digital Imaginary
  • David Larcher, interviewed by Stephen Littman
  • 212
  • Chapter 23
Control code
ocn607716657
Dimensions
unknown
Extent
1 online resource (xvii, 283 pages)
Form of item
online
Isbn
9780861969067
Lccn
2006287359
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt16gm3xt
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)607716657
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Experimental film and video : an anthology, edited by Jackie Hatfield ; picture editor, Stephen Littman
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Matter's Time Time For Material
  • Reflections on My Practice and Media Specificity
  • Malcolm Le Grice
  • 220
  • Chapter 24
  • Expanded Cinema -- Proto, Post-Photo
  • Jackie Hatfield
  • 237
  • Chapter 25
  • Image Con Text (1978-2003): Film/Performance/Video/Digital
  • Mike Leggett
  • Peter Gidal
  • 246
  • Section IV
  • Images
  • 263
  • 18
  • Chapter 3
  • Films and Installations -- A Systems View of Nature
  • Chris Welsby
  • 26
  • Chapter 4
  • A Line Through My Work
  • Nicky Hamlyn
  • Section I
  • 36
  • Chapter 5
  • A Few Notes on Filmmaking
  • Jayne Parker
  • 47
  • Chapter 6
  • Film Noise Aesthetics
  • Rob Gawthrop
  • 53
  • Chapter 7
  • Philosophies and Critical Histories of Avant-Garde Film and Current Practice
  • Line Describing a Cone and Related Films
  • Anthony McCall
  • 61
  • Section II
  • Languages of Representation in Film and Video: Thresholds of Materiality
  • 75
  • Chapter 8
  • Trilogical Distractions
  • Lis Rhodes
  • 77
  • 1
  • Chapter 9
  • The 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning
  • Sarah Pucill
  • 83
  • Chapter 10
  • Film, The Body, The Fold An Interview with Nina Danino on Now I Am Yours
  • Nina Danino, Susanna Poole
  • 93
  • Chapter 11
  • Attitudes 1-8
  • Chapter 1
  • Katherine Meynell
  • 102
  • Chapter 12
  • Video Works 1973-1983
  • David Critchley
  • 107
  • Chapter 13
  • Early Video Tapes 1978-1987
  • Chris Meigh-Andrews
  • 113
  • Post Future Past Perfect
  • Chapter 14
  • Andrew Kotting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kotting
  • Gareth Evans, Andrew Kotting
  • 126
  • Chapter 15
  • Ardent for Some Desperate Glory: Revisiting Smothering Dreams
  • Daniel Reeves
  • 137
  • Chapter 16
  • War Stories, or Why I Make Videos About Old Soldiers
  • Grahame Weinbren
  • Cate Elwes
  • 151
  • Chapter 17
  • Moving Parts: The Divergence of Practice
  • Vicky Smith
  • 163
  • Section III
  • Philosophies and Critical Histories of Video Art to Cinema
  • 169
  • Chapter 18
  • 3
  • Mutation on a Form
  • Karen Mirza, Brad Butler
  • 171
  • Chapter 19
  • Video: Incorporeal, Incorporated
  • Stephen Partridge
  • 180
  • Chapter 20
  • Tamara Krikorian -- Defending the Frontier
  • Cate Elwes
  • Chapter 2
  • 190
  • Chapter 21
  • Another Place -- David Hall
  • Jackie Hatfield
  • 200
  • Chapter 22
  • Alchemy and the Digital Imaginary
  • David Larcher, interviewed by Stephen Littman
  • 212
  • Chapter 23
Control code
ocn607716657
Dimensions
unknown
Extent
1 online resource (xvii, 283 pages)
Form of item
online
Isbn
9780861969067
Lccn
2006287359
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Note
JSTOR
Other physical details
illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt16gm3xt
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)607716657
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

    • Copley LibraryBorrow it
      5998 Alcalá Park, San Diego, CA, 92110-2492, US
      32.771354 -117.193327
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